Joanna Ham is a British photogram and mixed media artist whose work seeks to capture and express the power of human sentiment. Her pieces – whether based on objects, people or animals - focus on representing the emotions that surround us every day.
Joanna gained a BA in Fine Art with a specialism in anatomy at The Ruskin School of Drawing, Oxford University. She has exhibited with Liberty London, The Other Art Fair, London Design Festival, Billy Name, The Serena Morton Gallery and Modern Art Oxford.
In 2016 her work was selected for the National Original Print Exhibition by the Royal Society of Painter-Printmakers. And in 2018 she was awarded the Aviva Women of Future Arts and Culture Prize, Natwest's UK Creative Entrepreneur of the Year and shortlisted for the Global Rise Art Print Prize.
Joanna has created bespoke artwork for Nike, Hilton, The Berkeley, We Work, Print Club London and Eurostar’s 20th Anniversary and been featured in the likes of Harpers Bazaar, The Sunday Times and Design Milk. She is also the founder and illustrator of design brand HAM.
2021 - In Bloom, The Saatchi Gallery, London
2021 - The Other Art Fair, Virtual Edition
2021 - Art Car Boot Fair, Online
2020 - Art Car Boot Fair, Online
2020 - Cluster Group Show, London
2019 - Floral Portraits, Decorex, London
2017 - The Other Art Fair, London
2016 - National Original Print Exhibition, Bankside Gallery, London
2016 - Girls on Film, Serena Morton Gallery, London
2014 - The Other Art Fair, London
2014 - Exposure, Imitate Modern, London
2014 - Group Show, Serena Morton Gallery, London
2013 - Imprint, London Design Festival, London
2013 - The Other Art Fair, London
2012 - Group Show, Liberty, London
2004 - Atomic Art Bomb, Modern Art Oxford
2004 - Showtime, The Ruskin, Oxford
2018 - Aviva Woman of the Future Arts and Culture Prize
2018 - Natwest / GBEA UK Creative Entrepreneur of the Year
2018 - Shortlisted for The Global Rise Art Prize
2016 - Selected for National Original Print Exhibition
Nike, The Berkeley, We Work, Print Club, Eurostar and Hilton
The Sunday Times, The Times, Harper’s Bazaar, Living Etc, Design Milk, We Heart
2004 BA Fine Art, Ruskin School, Oxford University
Joanna's latest collection of photogram screen prints are intricate botanical studies manipulated and redrawn to depict more than just their form. Each flower portrait seeks to subtly characterise human emotion, exploring how we express ourselves and in turn inviting the audience to do the same. Every piece will be read differently, depending on the viewer’s individual context and sensibility.
Joanna draws inspiration from many sources. She’s long been fascinated by the psychology behind the giving of flowers. Typically, it marks an occasion in life, be it joyful or sombre, and the act itself has become symbolic. It’s a culturally-accepted expression of shared, frequently unspoken feeling, and this became a starting point for many of the prints in this collection.
There’s also a visual nod to the Dutch still-life movement, which interrogated and blurred the lines between scientific accuracy, beauty, and the supernatural. Subjects were placed on a pedestal and often bathed in light, separating them from reality and creating a sense of fantasy. Adopting a fresh take on this aesthetic, in her latest work Joanna seeks to reinforce the authenticity of these imagined scenarios. Although highly unlikely in the most literal sense, they are still completely believable.
Process is key for her and she enjoys mixing both traditional and contemporary techniques, always through a monochrome lens. She photograms hundreds of flowers to find one that unlocks an idea, and then sets to work redrawing, editing and digitally manipulating to create an entirely new form. Once complete, the image is transferred to silk screen and the final print is pulled by hand.
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